Jumat, 28 Maret 2014

Morfius, by Ross Nacey

Morfius, by Ross Nacey

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Morfius, by Ross Nacey

Morfius, by Ross Nacey



Morfius, by Ross Nacey

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In July of 2014, turmoil prevails in many countries around the globe by mere coincidence or possibly by design.

James Lane is a moderately successful Australian businessman who receives a strange summons. His presence is requested in London by an acquaintance known as Barnaby which he feels compelled to accept. The only explanation he receives is an old leather box file that he finds waiting on his aeroplane seat.

Travelling via extravagant private jet James soon learns that the box file once belonged to an English shipping magnate named Jon Calder who died over seventy years ago.

Teaming up with semi-retired Special Air Forces operative Jack Warner, it becomes apparent that James is becoming entangled in the sinister dealings of a powerful organisation. The enigmatic Barnaby and his extraordinary capabilities afford some protection, but for how long?

What does Calder have to do with James? How is Barnaby involved? Who or what is behind the looming threat? Whatever the answers, Calder somehow foresaw the events of 2014 and the part James would need to play in them. Someone or something called Morfius may hold the keys to answering these questions.

It is up to James and Jack Warner to find the truth, before it's too late.

Morfius, by Ross Nacey

  • Amazon Sales Rank: #4968212 in Books
  • Published on: 2015-10-30
  • Released on: 2015-10-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .68" w x 5.50" l, .77 pounds
  • Binding: Paperback
  • 272 pages
Morfius, by Ross Nacey

About the Author

Ross Nacey has spent forty years in the global freight industry. He earned a master's of business degree in 2001. He lives in Bowral, New South Wales, Australia, with his wife, Cindy. They have three adult children, two grandchildren, and a twin-engine Cessna airplane.


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0 of 0 people found the following review helpful. Great book! By Amazon Customer A very enjoyable read, thoughtful and well written it captures your attention and doesn't let it go.

0 of 0 people found the following review helpful. Great read By Alan A great read, I couldn't put it down

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Senin, 24 Maret 2014

Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica, by Matthew Parker

Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica, by Matthew Parker

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Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica, by Matthew Parker

Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica, by Matthew Parker



Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica, by Matthew Parker

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Amid the lush beauty of Jamaica's northern coast lies the true story of Ian Fleming's iconic creation: James Bond.

For two months every year, from 1946 to his death eighteen years later, Ian Fleming lived at Goldeneye, the house he built on a point of high land overlooking a small white sand beach on Jamaica’s stunning north coast. All the James Bond novels and stories were written here.

This book explores the huge influence of Jamaica on the creation of Fleming’s iconic post-war hero. The island was for Fleming part retreat from the world, part tangible representation of his own values, and part exotic fantasy. It will examine his Jamaican friendships―his extraordinary circle included Errol Flynn, the Oliviers, international politicians and British royalty, as well as his close neighbor Noel Coward―and trace his changing relationship with Ann Charteris (and hers with Jamaica) and the emergence of Blanche Blackwell as his Jamaican soulmate.

Goldeneye also compares the real Jamaica of the 1950s during the build-up to independence with the island’s portrayal in the Bond books, to shine a light on the attitude of the likes of Fleming and Coward to the dramatic end of the British Empire.

16 pages of color illustrations

Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica, by Matthew Parker

  • Amazon Sales Rank: #190539 in Books
  • Brand: Parker, Matthew
  • Published on: 2015-03-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.40" w x 6.40" l, .0 pounds
  • Binding: Hardcover
  • 264 pages
Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica, by Matthew Parker

Review “A wonderful biography. If you like Bond, you’ll like this book.” (Forbes)“Against a backdrop of the island’s evolution from colonialism to independence, Matthew Parker tells the story of Fleming’s Jamaican retreat, of the psychological fallout of the end of the British Empire and of how Bond parachuted in to offer solace in the form of escapist fantasy. With Goldeneye now a luxury resort and the public appetite for Bond movies undiminished, Parker’s book is an astute reminder of the price we pay for fantasy.” (The Washington Post)“Matthew Parker’s Goldeneye spies on Ian Fleming’s love affair with Jamaica” (Vanity Fair (Hot Type Pick))“This is no guilty pleasure. It’s a straight-up delight of a biographical narrative that crisply illuminates Bond, Fleming and the era when the sun was setting on the British Empire and dawning on the jet age. Parker is out to explain an era, a writer and a remarkable character. Mission accomplished” (Dallas Morning News)“Parker’s entertaining and well-researched biography dishes up a rich stew for fans of popular literature, travel writing, British and West Indian history, and filmmaking, all sauced with plenty of titillating celebrity gossip.” (Booklist (starred review))“Fans of James Bond books and films, along with those intrigued by the man behind the spy will devour the captivating stories within these pages. Readers interested in Jamaica’s relationship with Britain and America as the country moved toward independence will also appreciate the historical, cultural, and political realities and their context within Fleming’s work.” (Library Journal)“Throughout Matthew Parker’s account of Fleming’s post-war sojourns in Jamaica, and how they shaped his fiction, we can imagine Bond himself looking on and feeling a perverse stab of envy. Parker tells a wider story; that of an island and its people at a turning point in their history. Parker’s highly readable account of Fleming’s Jamaican life is less Thunderball and more Jean Rhys’s Wide Sargasso Sea. Bond himself might have been a touch jealous.” (The Telegraph)“An outstanding survey packed with insights key to understanding Ian Fleming's world and how it translated to his famous James Bond character and scenarios, as well as a cultural and social survey of Jamaica's evolving importance in the world.” (Midwest Book Review)“Insightful and engagingly written. Compelling. Goldeneye thoroughly explores Fleming’s life and provides glimpses of his neighbors and guests, among them Noel Coward, British royals, and, of course, Sean Connery. But the book’s real value is its examination of how Jamaica and Bond formed a microcosm of England’s changes in the 1950s and early ’60s.” (The Seattle Times)“The soil from which Bond sprang is as virile as the spy himself. In exploring Jamaica, the island where Bond was born, Parker casts the entire canon in a refreshing―almost tropical―light. Through exhaustive research and interviews, Parker assembles an intricate portrait of not just Fleming, his coterie and his Goldeneye villa, but of Jamaica and the post-War remnants of the British Empire.” (Paste Magazine (Best Books of March))“Unique. Parker''s Goldeneye is an appealing Caribbean history dressed as pop culture, and he adds complexity to Bond''s legacy of vodka martinis, car chases and women in bikinis.” (Associated Press)“The iconic image of bikini-clad Ursula Andress stepping out of the Caribbean sea in the first James Bond movie ‘Dr. No’ is the stuff of fantasy. Now, Parker tells the story of the equally fantastic life of Bond creator Ian Fleming on the beaches of Jamaica, where he spent two months of every year from 1946 to 1964 at Goldeneye, the villa he built on the island’s northern coast, hobnobbing with celebrity residents Errol Flynn, Noel Coward and Lawrence Olivier. Read it while drinking a martini ― shaken, not stirred.” (New York Post)“Fascinating. Parker treats each Bond novel, beginning with Casino Royale, with respect and expertise, taking care to show that Fleming often integrated his deep knowledge of Jamaica into the plotlines. The depiction of Fleming’s own life of luxury in Jamaica, meanwhile, is mesmerizing. The book is as charming as Bond himself, leaving us a greater understanding of the world’s most famous spy, his creator, and the house in which he was conceived.” (Publishers Weekly)“The author parallels Fleming''s life with postwar events that planted the seed for the Bond character. He summarizes each of the Bond books as they reflect Cold War history―e.g., the Suez Crisis, the independence movements and increasing economic turmoil. A well-written look at Fleming''s life, though the book is even better as an indictment of the anachronistic colonialism of the 1950s and the end of the British Empire.” (Kirkus)“Without Jamaica it is safe to say, there would have been no Agent 007. Matthew Parker sets the record straight in Goldeneye, his superb account of Fleming''s Jamaica. This well researched, excellently written book tells of a rapid literary decline.” (The Financial Times)“I could not put down this story. For devotees of James Bond, or Jamaica, or the British Empire of old, Goldeneye is most entertaining reading.” (Providence Journal)“The first book to explore the north-shore estate where the author and former intelligence officer Ian Fleming spent two months each year and wrote all the Bond books. The purchase of his tropical lair, the retreat from society, the way Fleming spent the latter half of his life there―these are all apparently telltale signs of a man who just can''t handle getting older. What Parker''s new book shows is how much that crisis latched itself onto James Bond, and how the defiant fantasy he provided against decline both restored Fleming and gave life to an immortal franchise.” (The Atlantic)“As much a testament to Jamaica as it is to Bond. The perfect book to understand the roots of one of the world’s most legendary cultural icons.” (Bookreporter)“Sparkling. Full of great quotes and salacious gossip. The Commander would be pleased.” (Open Letters Monthly)“Parker gives us insight into how this exotic local nurtured Fleming''s writing, as well as a glimpse at some of the interesting guests he entertained there, and a look into colonialism and the crumbling British Empire. This is Bond''s real origin story.” (Book Riot)“A sophisticated history of how Fleming’s character developed. This is the beginning of the story of how Fleming and Jamaica, that desultory duo that generated Bond novels, first made contact.” (The Buffalo News)“A completely fascinating, authoritative and intriguing book―especially for anyone interested in Ian Fleming and the James Bond phenomenon.” (William Boyd, author of 'Any Human Heart')“The book that James Bond obsessives have been waiting for―a beautiful, brilliant history of Ian Fleming at home at Goldeneye, all of sun-drenched, gin-soaked, bed-hopping colonial Jamaica outside the window and 007 at the moment of his creation. This is THE BIG BANG OF BOND BOOKS―the world-weary romance, the impossible glamour, the sex, the travel, the legend, the longing for escape and adventure―it all starts right here.” (Tony Parsons)“Supremely enjoyable. Matthew Parker has created a completely new picture of Fleming, Bond and the role of Jamaica in the making of the legend.” (John Pearson, author of 'The Life of Ian Fleming')“Matthew Parker''s brilliant book Goldeneye is indispensable for anyone interested in the inner life of the enigmatic Ian Fleming and the whole James Bond phenomenon he created.” (Nicholas Rankin, author of 'Ian Fleming's Commandos')“What makes Parker''s book particularly fascinating is the way that, as a result of close and intelligent reading, he teases out how Fleming drew on the island, its culture and its post-war development for much of the atmosphere and incidental detail in the Bond series.” (Literary Review)“Entertaining. Parker makes a convincing case that Jamaica is crucial to a proper understanding of the man and his work.” (The Spectator)“Fascinating. Less a dry narrative of sandal wearing chaps paying over the odds for their Morland cigarettes than a studious array of thoughts and insight.” (Mark O’Connell, author of 'Catching Bullets, Memoirs of a Bond Fan')“Best read somewhere hot, sipping something cool is Matthew Parker''s brilliant addition to the canon of Jamaican travel writing and 007-ology, Goldeneye.” (GQ)“One of the attractions of Matthew Parker’s book is that he not only reminds us of the origin of the Bond novels, but he fills in a lot of background about Jamaica―both its political path to independence and its later development as a tourist destination. Those seeking a world of sea, sunshine, girls, rum, tobacco and self-indulgent luxury will find it evoked here―and it is this they will remember, not the Spartan house Fleming built.” (Country Life)“You might think there is nothing new to say about Ian Fleming―that every detail of his life has been obsessively picked over by biographers. Matthew Parker, though, has produced a book a illuminating as it is intriguing. Written in a quick-fire, atmospheric prose style that clearly owes something to Fleming’s own, it cracks along with all the urgency of a Bond novel.” (Daily Mail)“An amazing portrayal of British racial and colonial attitudes in the 1950s and 60s.” (Andrea Levy, author of 'Six Stories and an Essay')“The evocation of the writer''s voluptuous existence in Jamaica (and the unspoilt island itself) is nonpareil. Parker''s record of a key period in the life of the writer makes a fascinating read.” (The Independent (UK))“Persuasive, well researched and entertaining.” (The Guardian)“Matthew Parker’s account of Fleming’s experiences among the island’s dissolute late-colonial visitors―from film stars and royalty to the secret services―shows how a combination of a jet-set crowd and the exoticism of the setting inspired the James Bond books, all of which were written there.” (New Statesman)“An enjoyable, sun-soaked, alcohol-sodden addition to Bond literature.” (The Times (UK))

About the Author Matthew Parker is the author of three previous non-fiction books, Monte Cassino: The Hardest-Fought Battle of World War II; the Los Angeles Times bestseller Panama Fever, which was one of the Washington Post’s Best Books of the Year; and The Sugar Barons, which was an Economist Book of the Year. He lives in England.


Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica, by Matthew Parker

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26 of 27 people found the following review helpful. The Fleming book I have been waiting for By Maria Beadnell Well. This is exactly how things are supposed to work. I got this book from the library and love it so much I don't want to return it. So I'll be purchasing a copy.This is at least the fourth biography of Fleming I have read, and it is by far the best. Amis was too good a friend. Pearson, who was authorized, suffered from having to protect the man's reputation. Lycett had too much useless information and made excuses for the man. Parker, at last, examines Fleming and Bond in the context of an addict and of an oarless, unhappy man temporarily in his happy place.The excellence of the book is amazing to me, partly because the focus is so narrow: Fleming was only in Jamaica for 2 months of the year, and only after he was in his forties. Parker makes a convincing case that all you really need to know about Fleming is revealed at and around Goldeneye.As an armchair psychologist, Parker is honest to the point of cutting. He finds not only something nasty, but something redeeming to say about everyone: Blanche Blackwell gave Fleming adoration, but Fleming didn't altogether want that, even as he needed it. Ann gave him cachet, but Ian was new money and knew it. Ann's criticism and need for money spurred Ian to produce the moneymakers even as he ached for critical recognition, and he had the observation, if not the real sensitivity, to produce gut-wrenching stories when he was brave enough.How lucky Parker was to have Blackwell, Fleming's mistress, not only alive at over 100 but willing to talk to him.Parker includes a political history of Jamaica and of the decline of British power worldwide that makes both Bond and Fleming make more sense. He also outright calls Fleming an alcoholic, instead of pretending, as previous biographers have, that Fleming merely "ignored" advice to stop his craziness with cigarettes and alcohol.The 2 aspects of this bio that are shining stars are Parker's examination of Fleming's decline as recorded vicariously in his Bond books, and the inclusion of grainy, badly composed candid photos that give a look at day to day Fleming life.Wonderful book.

15 of 15 people found the following review helpful. A compelling and deeply researched account of the creation of James Bond By Christopher J. Benz If you’re looking for slight, ‘fan-centric’ anecdotes of martinis, exotic casinos, prestige cars and globe-trotting escapades - you would be wise to look elsewhere. This is the comprehensive, insightful history that serious readers of Fleming have been owed for some time. And for all of its 300 pages of detailed history, ‘Goldeneye’ is an addicting combination of superbly researched threads that provide surprising insight into the creation of Fleming’s celebrated and iconic protagonist.Parker’s book is, by turns, a history of Fleming’s Jamaican retreat (where the Bond books were written), an historical account of the island country itself, a select biography of events in Fleming’s life (including his infamous penchant for carrying on affairs with married women) and a close-reading of the Bond novels, enlightened by all of the above narratives.It’s an ‘experiential’ read. By the end of it, you feel as if you have lived with Fleming through those humid, evocative Caribbean nights, the torrid and thrilling affairs, engaged with the colourful, intriguing characters drifting through Fleming’s Jamaica and immersed in the curious combination of imperial privilege coupled with a liberal and consuming culture of open sexuality - all of these influences ‘made’ Fleming into an author with both popular and anachronistic instincts. The Bond novels’ strangely thrilling combination of sadism, snobbishness, eroticism and patriotism makes perfect sense given the unorthodox lifestyle he forged for himself amongst the aristocracy of Jamaica.As a biographical account of the writing of each Bond book, ‘Goldeneye’ is a sheer delight. The reader feels so fully informed of the context behind the creation of the novels, the personal and cultural impacts on their author, that one walks away feeling ‘closer’ to the Bond books then before.Parker details the historical narrative of Jamaica during this era and its peculiar significance as one of the last outposts of colonial supremacy for British subjects. The appeal of these privileges for Fleming is chronicled by Parker with an admirable, ‘informed neutrality’, portraying the gradual passing of an empire which appealed to the elite, but could not be sustained. The author is respectful, both in commentary and in the breadth of commentary allocated to the key figures and political landscape behind Jamaica’s gradual shift to independence, despite that fact that this development would have caused no pleasure for Fleming. Likewise the flamboyant, ‘stylish’ and in some ways politically naive lifestyles of Jamaica's resident expatriates - Noel Coward, Errol Flynn, Fleming himself and others, colour this account with humour and interest, sardonically set against the backdrop of a decaying empire.The decision to position Fleming's 'Goldeneye' house as the central character of this account works superbly, and fittingly the book continues to chronicle the story of the property after the death of its owner. There is enough insight and fresh material on all of the Bond novels (and even on some of the earlier films) to delight many Bond fans but it is the lovers of Fleming’s literary achievements, the sophistication of which has been much under appreciated, who will most treasure this highly enjoyable and unique book. If you are an avid reader of the original Bond novels, take the time to immerse yourself in 'Goldeneye'. Well researched and entertaining in equal measures, it offers a fresh and authoritative perspective on James Bond's enigmatic creator.

11 of 12 people found the following review helpful. Parker paints a colorful portrait of the paradise where Bond first drew breath, and where Fleming flirted with self-destruction. By Bookreporter One of Ian Fleming’s teachers wrote to his mother that “He ought to make an excellent soldier, provided always that the Ladies don’t ruin him.” Fleming, who was a storied womanizer (and a good solider) in real life, established a fictional alter-ego who was always successful with “the Ladies” and an expert at Cold War-style spy-craft. In this highly readable book, Matthew Parker, who came upon Goldeneye, the Fleming retreat in Jamaica, while working on THE SUGAR BARONS, paints a colorful portrait of the paradise where James Bond first drew breath, and where Fleming flirted with creation and self-destruction.Famously, Fleming, visiting Jamaica on an espionage assignment for the British Navy during World War II, vowed to return and did so, building a villa he called Goldeneye on a high hill overlooking the ocean. “Each year, Jamaica had soaked into him, with its creative spirit and cocktail of luxury, melancholy, imperialism, sensuality, danger and violence.” By 1953, he had tapped out his first novel at Goldeneye: CASINO ROYALE introduced Bond --- uncomplicated, unflappable, undaunted by danger. Bond would become an English icon and the books’ international favorite, while Fleming would go on smoking 3+ packs of cigarettes a day, drinking to dangerous excess, and writing a new Bond thriller every year. Together with NoëlCoward, who also moved to Jamaica, Fleming, though always something of a loner, would help make Jamaica the happening place for the beautiful people: Kathryn Hepburn, Errol Flynn, Michael Redgrave, Lucien Freud, the Oliviers, and Fleming’s wife-to-be, Ann Charteris.But this is a story about the place as well as the man. Fleming (through the eyes of Bond) saw Jamaica as a sensual playground, peopled by simple, dark-skinned natives with an innate willingness to please those of lighter skin. Dodging the dreary English weather for a few months each year, Fleming was not keen to acknowledge the complex issues of race and rights roiling in his island refuge. Still, Parker points out, during Fleming’s years there, Jamaica was a nation aching for, pushing for and ultimately achieving independence.Jamaica provided the setting for several Bond books, and Dr. No was also filmed there. It became the archetype, in Fleming’s imagination, of all that was right about an empire for the imperialists: a carefree realm where evil could lurk but always be brushed aside with a round of really stiff drinks delivered by smiling servants. While there, Fleming had a long-term affair with Blanche Blackwell, perhaps the only woman who ever really took with the lonely man from a cold climate, while Ann, who considered the Bond tales pornographic, had a lover back home. Both, perhaps typical among their peers, struggled with addictions and bouts of melancholy.Bond’s creator died in his mid-50s, having perhaps done everything he wanted and lived a life that, to many, would be enviable. Goldeneye, his kingdom by the sea, became a posh tourist inn. Bond, of course, lived on; as Parker notes, at the time of Fleming’s passing, “his books had sold thirty million copies and been translated into eighteen languages.”Reviewed by Barbara Bamberger Scott.

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Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica, by Matthew Parker
Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica, by Matthew Parker

Rabu, 19 Maret 2014

The Touchstone, by Edith Wharton

The Touchstone, by Edith Wharton

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The Touchstone, by Edith Wharton

The Touchstone, by Edith Wharton



The Touchstone, by Edith Wharton

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In 1921, Edith Wharton became the first woman to win a Pulitzer Prize, earning the award for The Age of Innocence. But Wharton also wrote several other novels, as well as poems and short stories that made her not only famous but popular among her contemporaries. That included her good friend Henry James, and she counted among her acquaintances Teddy Roosevelt and Sinclair Lewis.

The Touchstone, by Edith Wharton

  • Published on: 2015-10-30
  • Dimensions: 9.00" h x .13" w x 6.00" l,
  • Binding: Paperback
  • 54 pages
The Touchstone, by Edith Wharton

Review "'Every line is a joy.' - The Guardian"

About the Author Edith Wharton was a Pulitzer Prize-winning American novelist, known for such classics as The House of Mirth, Ethan Frome, and The Age of Innocence, for which she won the Pulitzer Prize in 1921. A member of the New York elite, Wharton drew on her experiences as part of society to critique its inner workings and the conflict between personal desires and societal norms. Wharton died in 1937, leaving behind a rich literary legacy.


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0 of 0 people found the following review helpful. Fascinating first novel of Edith Wharton By Arneblaze This just misses being a novella, as it is quite short, but it shows Wharton in her element at the very start of her literary career, it being her first novel. The influence of her friend Henry James' novella, The Aspern Papers, is evident in her story of a young man tempted to sell love letters sent to him by a famous author for whom he did not care, in order to make enough money to marry the woman he loves. The psychological miasma he is thrown into due to his guilt and fear of exposure balance his slow maturation in realizing his betrayal of the woman who loved him first.Superb character study and a fast read - this edition is nicely printed and is most readable.

2 of 2 people found the following review helpful. Quick And Enjoyable By Dave_42 "The Touchstone" is Edith Wharton's second book and it was published in 1900. It was also published under the title "A Gift From The Grave". Her previous literary effort was a collection of short stories titled "The Greater Inclination" and this is a longer story, roughly what we would today call a novella. The author takes an interesting premise, and creates an engaging story which is easy to read and flows quickly. The reader doesn't want to put this book down.The premise of the story is that a man (Glennard) of limited means is looking for a way to earn money so that he can afford to marry the woman he loves (Alexa Trent). Earlier in his life, he was loved by Mrs. Aubyn, who has become a famous author and since died. Thus he is in possession of the letters she wrote him, and due to her fame he could publish them, but that would not be proper in his mind, and he feels that he would not be worthy of Alexa Trent if he did such a thing.Of course, the reader immediately knows that he is going to have to do this unthinkable thing, and the interesting part of the story is how it affects Glennard and his relationship with Alexa Trent, and with Flemel, the friend from whom he seeks the advice initially, and who helps him get the letters published. Glennard destroys one relationship, and nearly destroys the other, and often lashes out irrationally when the book is discussed. He is constantly trying to figure out who knows, and who Flemel might have told, and if his wife has figured it out, even when he tries to make it obvious that he has done the deed.It is an interesting story about the turmoil which people go through when circumstances force them to act in a way which they wouldn't ordinarily do. Many people today might not understand why Glennard is even troubled by the idea of publishing the correspondence of someone who has passed on, but it certainly works well for the period in which it was written. This is even better than her first book, though I don't think it merits five stars.

9 of 12 people found the following review helpful. Surprisingly Contemporary - 100 years ahead of its time By A Customer Because I am adapting this novella for Warner Bros as a feature film, I'm interested in hearing what readers have to say about it. This is Wharton's first novella, written at a time when she was still developing her craft as a writer; the story can appear woefully underwritten. Still, the story is mesmerizing and dangerous, a Faustian tale of betrayal, greed and the consequences paid, and the more often I read through it, the more hidden meanings emerge. When you read it, think of the lover who sold Princess Diana's first secrets of their affair to the tabloids, and the consequences since. What ever happened to that man? Perhaps, like Stephen Glennard in "The Touchstone", he has gone mad from guilt, which, ironically enough, might prove he has a conscious after all.

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Senin, 17 Maret 2014

Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams

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Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams

Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams



Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams

Best Ebook PDF Online Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams

“Adventurous, inquisitive and mirthful, Mark Adams gamely sifts through the eons of rumor, science, and lore to find a place that, in the end, seems startlingly real indeed.” –Hampton Sides “Infused with humor and pop culture references, Adams makes what could have been a tedious recitation of theories into an exciting adventure.” -Chicago Tribune “Writing with the same jaunty style as Turn Right at Machu Picchu, Adams merrily entertains the lost-cities audience.” –Booklist A few years ago, Mark Adams made a strange discovery: Far from alien conspiracy theories and other pop culture myths, everything we know about the legendary lost city of Atlantis comes from the work of one man, the Greek philosopher Plato. Stranger still: Adams learned there is an entire global sub-culture of amateur explorers who are still actively and obsessively searching for this sunken city, based entirely on Plato’s detailed clues.  What Adams didn’t realize was that Atlantis is kind of like a virus—and he’d been exposed.  In Meet Me in Atlantis, Adams racks up frequent-flier miles tracking down these Atlantis obsessives, trying to determine why they believe it's possible to find the world's most famous lost city—and whether any of their theories could prove or disprove its existence. The result is a classic quest that takes readers to fascinating locations to meet irresistible characters; and a deep, often humorous look at the human longing to rediscover a lost world.

Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams

  • Amazon Sales Rank: #473317 in Books
  • Brand: Adams, Mark
  • Published on: 2015-03-10
  • Released on: 2015-03-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.08" w x 6.38" l, 1.00 pounds
  • Binding: Hardcover
  • 320 pages
Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams

Review Praise for Meet Me In Atlantis:“The lively, skeptical but open-minded travel writer Mark Adams... takes readers along to four plausible sites, without quackery and with a contagious spirit of curiosity, interviewing scores of experts and fanatics, and painting pictures that will make even the most levelheaded traveler yearn to repeat his fantastic itinerary.” –The New York Times Book Review“Adams maintains a journalistic skepticism and a buoyant sense of humor, making Atlantis a gripping journey.”-Entertainment Weekly"Always entertaining, Meet Me in Atlantis also introduces a significant amount of Platonic philosophy and devotes generous space to legitimate archaeology like that in Akrotiri. Perhaps the most enjoyable aspect is Adams’s knack for clever descriptions of places and people"-The Daily Beast“Writing with the same jaunty style as Turn Right at Machu Picchu, Adams merrily entertains the lost-cities audience.” -Booklist“Few mythic places exert a more powerful pull on the imagination than Atlantis, and here the fabled lost city has found its perfect chronicler. Adventurous, inquisitive and mirthful, Mark Adams gamely sifts through the eons of rumor, science, and lore to find a place that, in the end, seems startlingly real indeed--like a vivid dream surfacing from the weird and murky depths of human consciousness.” -Hampton Sides, New York Times bestselling author of In the Kingdom of Ice“The collision between Adams' youthful zeal and journalistic sensibilities provide an arresting dichotomy to an absorbing search… Fact or fiction, Atlantis, as the author ably demonstrates, still has the power to enthrall inquiring minds.”-Kirkus

 

Praise for Turn Right at Machu Picchu “Ebullient…An engaging and sometimes hilarious book.”–The New York Times Book Review “Like all great travelogues (and this is certainly one), Turn Right…should come with a fedora and a rucksack.”–Men’s Journal   “Serious (and seriously funny)…smart and tightly written…a rediscovery of Machu Picchu, the way Bingham did 100 years ago.”–National Geographic “In Turn Right at Machu Picchu, Adams proves an engaging, informative guide to all things Inca.”-Entertainment Weekly “A story that hooks readers early and then sails along so interestingly that it's one of those "can't put it down" books. What more could armchair adventurers want?”-Associated Press “Short of actually traveling to Machu Picchu yourself, it’s the perfect way to acknowledge the lost city’s 100th birthday as a modern-day tourist site.”-The Christian Science Monitor, Editor’s Choice “With a healthy sense of humor…Adams unearths a fascinating story, transporting his readers back to 1911, when Yale professor Hiram Bingham III hiked the Andes and stumbled upon one of South America's most miraculous and cloistered meccas.”--NPR.org “[An] entirely delightful book”–The Washington Post “Adams deftly weaves together Inca history, Bingham's story and his own less heroic escapade... Those favoring a quirkier retelling [of Bingham's exploits] will relish Mr. Adams's wry, revealing romp through the Andes.”–The Wall Street Journal“Mark Adams crisscrossed the Andes and has returned with a superb and important tale of adventure and archeology. The Inca ruins at Machu Picchu are one of the world’s enduring mysteries, and Adams has written such a bold, compelling account that I’m sure many of us will soon be trekking up those same outrageous mountains to see them for ourselves. It is a beautiful and profound world that he has entered, and his readers are immeasurably the richer for it.”—Sebastian Junger“In this book you will certainly learn more about Peru, Inca culture, half-sane pith-helmeted explorers of the 20th century, zero-sane Australian travel guides of the 21st, and the mysteries of Machu Picchu than you ever knew before. But you will also learn more about Mark Adams, a hugely funny and thoughtful writer, diligent researcher, and unexpected man of action who climbs up from soft middle age to the dizzying, thin air of adventure. You will want to go with him.”—John Hodgman“After reading Mark Adams's book, I did two things. First, I checked airfare to Machu Picchu. Second, I told my friends they had to read this amazing and entertaining tale about explorers, stolen treasures, Amelia Earhart and the controversial professor who—according to new evidence Adams found—just may be the model for Indiana Jones.”—A.J. Jacobs

About the Author Mark Adams is the author of the acclaimed history Mr. America, which The Washington Post named a Best Book of 2009, and the New York Times bestseller Turn Right at Machu Picchu. A writer for many national magazines, including GQ, Men's Journal, and New York, he lives near New York City with his wife and children.

Excerpt. © Reprinted by permission. All rights reserved.

PROLOGUE

Near Agadir, Morocco

We had just met the previous week in Bonn, my new German acquaintance and I, and here we were on the west coast of Africa on a hot Thursday morning, looking for an underwater city in the middle of the desert. Our destination was an unremarkable set of prehistoric ruins. The shared interest—about the only thing we had in common—that had brought Michael Hübner and me together in Morocco for what felt like a very awkward second date was Atlantis. Hübner was certain he had found it.

Hübner was far from alone in this belief. I’d already met plenty of other enthusiastic Atlantis seekers who’d used clues gleaned from Renaissance maps or obscure Babylonian myths or unpublished documents from the Vatican Secret Archives to pinpoint its supposed location. There did not seem to be a lot of consensus. Morocco was the eighth country on three continents that I’d visited as I pursued those who pursued Atlantis, the legendary lost city. I’d become as fascinated by them as they were by their quest. I hadn’t seen my wife and children for a month.

Hübner’s unique search strategy was data analysis. He had scoured ancient literature for every mention of Atlantis that he could find and then plugged that data into an algorithm far too complicated for a math novice like me to understand. His results were clear, though. According to his calculations and the laws of probability, the capital city of Atlantis had absolutely, positively existed just a few hundred feet ahead at the nexus of GPS coordinates we were tracking. “It is very, very improbable that all these criteria are combined by chance in one area,” he had already told me several times, his monotone voice betraying not the slightest doubt.

I wasn’t so sure. Perhaps the defining characteristic of the landscape around us, the foothills of the Atlas Mountains, was its complete lack of water. Twice on the way here my driver had slammed on the brakes to avoid crashing into herds of camels crossing the road. The one thing that everyone knows about the legend of Atlantis is that it sank beneath the seas.

Hübner had a ready explanation for this aquatic discrepancy. An earthquake in the Atlantic Ocean, a few miles west of where we were hiking, had caused a tsunami that had flooded the Moroccan coast and then receded. The ancient story of this deluge had simply gotten garbled over generations of retelling.

A few months earlier, I would have said Hübner’s explanation sounded crazy. Now it had a very familiar ring to it. I had heard a lot of location hypotheses that hinged on tsunamis and other improbable agents: volcanic explosions, mistranslated hieroglyphics, the ten biblical plagues, asteroid impacts, Bronze Age transatlantic cocaine trafficking, and the Pythagorean theorem.

All of these ideas had been presented to me by intelligent, sincere people who had devoted large chunks of their lives to searching for a city that most reputable scientists dismissed as a fairy tale. Most of the university experts I’d approached about Atlantis had equated the futility of searching for it with hunting down the specific pot of gold that a certain leprechaun had left at the end of a particular rainbow. Now I was starting to wonder if I’d been away from home too long—because the more of these Atlantis seekers I met, the more their cataclysmic hypotheses made sense.

Perhaps the second most famous attribute of Atlantis was its distinctive circular shape, an island city surrounded by alternating rings of land and water. At the center of those rings, the story went, stood a magnificent temple dedicated to the Greek god Poseidon. That innermost island, with its evidence of an advanced civilization suddenly destroyed by a watery disaster, was the proof that every Atlantis hunter most longed to find. Incredibly, this legendary island’s precise measurements, as well as the dimensions of the temple and the city’s distance from the sea, had been handed down from the philosopher Plato, one of the greatest thinkers in Western history. The clues to solving this riddle had been available for more than two thousand years, but no one had yet found a convincing answer. Hübner insisted that according to his own calculations, what we were about to see was close to a perfect match.

Hübner wasn’t an especially chatty guy, so we trudged silently up the slope, the only sounds coming from our feet scraping the sunbaked ground and the occasional bleating of stray goats. Finally, the incline leveled off and we looked out onto a large geological depression, a sort of desert basin enclosed on all sides. I leaned against a leafless tree and wiped sweat from my eyes.

“You remember how I showed you the satellite photo, how it was like a ring?” Hübner said, waving his hand across the panorama. “That is this place here.”

Of course I remembered. The image he’d shown me on his computer screen was like a treasure map leading to Atlantis; it was that photo that had convinced me to come to Morocco. I scanned the horizon from left to right and slowly recognized that we were standing above a natural bowl, almost perfectly round. In the middle was a large hill, also circular—a ring within a ring.

“On that hill in the center is where I found the ruins of the gigantic temple,” Hübner said. “You can check for yourself the measurements. They are almost exact with the story of Atlantis.” He sipped from his water bottle. “I would like to show this to you. Do you think maybe we should go down there?”

CHAPTER ONE

New York, New York

A few years ago, for reasons that presumably made sense at the time, a friend who worked at a popular women’s magazine called to ask if I’d consider taking on an unusual writing assignment. Might I be interested in compiling a list of the greatest philosophers of all time and explaining, in easily digestible chunks, why their work was relevant to America’s working mothers?

Having dropped the one philosophy course I’d signed up for in college, I knew little about the subject. But easy money is hard to come by for a freelance writer, and this job sounded like a cakewalk, so I set to work contacting professors at various reputable universities and asking them to rank their top ten philosophers. To my surprise, there was no disagreement about who deserved the top two slots on the list. Every professor I phoned or e-mailed named the ancient Greek philosopher Plato number one, followed by his protégé Aristotle.

I knew a thing or two about Aristotle, since he’d been one of the final entries in the lone Aa–Ar volume of a children’s encyclopedia that my mother had purchased at the supermarket one Saturday to keep me quiet while she shopped. (I wrote many grade school papers on the differences between aardvarks and anteaters.) Aristotle’s genius is still evident to a modern reader, and his work is very much in line with what most of us assume philosophy is. He talks a lot about ethics and logic. He was a master of classification who sorted messy subjects like language and nature into neat categories that we still use today. He’s a little dull, but “invented deductive reasoning” is a pretty impressive accomplishment for anyone to list on his resume.

Aristotle’s teacher, Plato, was in many ways his opposite. Where Aristotle’s work is dry and rational like a science textbook, Plato’s philosophy is entertaining and figurative. His writings unfold as dialogues between characters, some drawn from real life. It’s not always clear if he’s being serious or ironic. Yet Plato’s influence has been so great that the eminent British logician Alfred North Whitehead once commented—in a remark that I must’ve heard a dozen times during my reporting—that Western philosophy “consists of a series of footnotes to Plato.”

What had seemed like a quickie writing assignment stretched into weeks of research as I struggled to get a grip on Plato’s engrossing but slippery ideas. One afternoon, while reading Julia Annas’s introductory survey Plato, I came across a sentence so striking that I had to reread it twice before its significance sank in: “In terms of sheer numbers of people affected, probably the most influential thing Plato ever wrote was his unfinished story of Atlantis.” In other words, the most impactful concept ever put forth by the most celebrated philosopher of all time was the famous tale of a lost civilization that sank beneath the waves.

That the story of Atlantis—much beloved by psychics, UFO spotters, and conspiracy theorists—should have sprung from one of history’s greatest minds struck me, to put it lightly, as a little odd. It was like hearing that Wittgenstein had helped fake the moon landings.

Around this time the Ocean extension of Google Earth was launched. The Atlantis seekers almost immediately flooded the Internet with claims that they’d located it at the bottom of the Atlantic near the Canary Islands. But what had initially looked like the street plan of a vast underwater metropolis turned out to be a grid pattern caused by ships’ sonars. After a few days the excitement faded. I assumed the seekers turned their attention back to more important matters, like searching for Bigfoot.

I did not yet understand that Atlantis is a virus, and that I’d been exposed.

•   •   •

Starting in the late 1970s, a hugely successful movie trilogy was released that changed the lives of a generation of American boys. These three tales of incredible journeys, inspired by ancient myths and conflicts that transpired a long time ago in places far, far away, were cinematic catnip for preadolescent suburban youths with overactive imaginations and limited athletic skills. Some of my fondest childhood memories are of being dropped off with my best friend at the local Lake Theater and vibrating in our seats with anticipation. It didn’t matter that the dialogue was hackneyed or that we knew good would triumph over evil in the end. Even today, reading the titles of those three film epics gives me a chill that Luke Skywalker’s adventures never could: In Search of Noah’s Ark, Beyond and Back, and In Search of Historic Jesus.

What made these movies, and their beloved stepsibling, the Leonard Nimoy–hosted television show In Search Of . . . , so enticing was their willingness to explore what were known then as “unexplained phenomena” by straddling the worlds of history and myth. My Catholic school education didn’t allow for a lot of gray areas and ambiguities. Rather than declaring everything to be either true or false, these movies and programs left things open-ended. (Could this thing that looks like a dirty tablecloth actually be the burial shroud of Jesus? Probably not—but maybe!) A lot of what I watched was simply goofy—even at age ten I had doubts about anything involving Martians or communicating with plants. But usually, by the time the credits rolled I felt an uncontrollable urge to solve some mystery of my own. With enough hours in the library and one of those cool archaeologist’s brushes, why couldn’t I find Noah’s ark or figure out the meaning of Stonehenge?

I should have known I had no natural immunity against a contagion as powerful as Atlantis, but the symptoms crept up on me slowly. Just as a couple who’s thinking about having a baby suddenly starts seeing pregnant women on every street corner, I began to notice mentions of Atlantis online or on TV. The popular notion that Atlantis had sunk in the middle of the Atlantic seemed to have fallen out of fashion. I watched a BBC documentary that argued the Greek island of Santorini had been the original Atlantis, then saw a Discovery Channel special that strongly suggested the lost city had once been located in Antarctica. Months passed. Another writing assignment took me to a banquet for people who’d achieved incredible medical results through alternative health therapies. As a conversation starter I mentioned my new interest to my tablemates and nearly started a fistfight between a homeopath and an aromatherapist. One knew beyond the shadow of a doubt that Atlantis had been in the Bahamas while the other angrily insisted that only an idiot would search anywhere but the Mediterranean.

The more I became intrigued, the more apparent it became that searching—actively searching—for Atlantis, a discipline sometimes referred to as Atlantology, is something of a growth industry. Using clues embedded in Plato’s dialogues, Atlantologists had variously “located” his lost island empire in Scandinavia, Alaska, Indonesia, and just about every country that touches a large body of water. A few arguments were even made for landlocked, mountainous countries such as Bolivia, which seemed a little ambitious considering that whole sank-into-the-sea aspect. According to the most thorough tally I could find, more serious hypotheses about the location of Plato’s lost civilization had been proposed in the last ten years than in the previous twenty-four hundred, going all the way back to the days when Plato walked the streets of Athens.

Virtually all these possible sites had been found by energetic amateur sleuths. Serious historians and archaeologists, when they deigned to consider Atlantis at all, have always tended to treat Plato’s tale as a fiction invented to illustrate his complex political philosophy. At least the polite ones did. One specialist in archaeology and ancient history had written an entire book that treated the urge to find Atlantis as a sort of mental disorder.

And yet, almost universally believers and nonbelievers both agreed that Plato had done two things that made a real Atlantis seem believable. First, he embedded dozens of precise details in his story, including measurements, landmarks, and its position relative to other known places—the same sorts of particulars that have been used to find other lost cities. Second, Plato claimed repeatedly that the story was true and had been passed down to him from very reputable historical sources. This assurance only raised more questions. Was his pledge of veracity a clever philosopher’s trick to make a fantastic tale sound more realistic, or did he really believe that Atlantis had once existed? Was it possible that Plato believed the story but had been given false information? No original manuscripts of Plato’s works exist. Could his writing have been corrupted with errors over the centuries through the process of being transcribed by hand, over and over? Or had Plato, as some believed, hidden a coded message in his works that might be deciphered?

Because Plato is the only known source for the Atlantis tale, people had been debating the truth or falsity of the city’s destruction since his death in 347 BC. Academics typically gave the last word to the levelheaded Aristotle, who is quoted as having dismissed Plato’s sunken kingdom with the words, “He who invented Atlantis also destroyed it.”

Proof that the Atlantis tale was true wouldn’t just make for a great episode of In Search Of . . . It would also help solve some of ancient history’s greatest mysteries. The details of its sudden destruction may help explain a bizarre chain of natural catastrophes and apocalyptic famines that caused several advanced Mediterranean societies to collapse suddenly at the end of the Bronze Age. Some believed, with good reason, that the details in Plato’s Atlantis tale were closely related to stories in the Old Testament.

The virus continued to incubate. I set up an e-mail news alert for “Atlantis and Plato.” About once a week I’d receive notice that someone had devised a new location theory, as often as not pinpointing someplace like the Great Pyramid or the Bermuda Triangle.

The day after the devastating Fukushima tsunami in Japan—descriptions of which eerily echoed the “violent earthquakes and floods” that Plato claimed destroyed Atlantis—I was sitting in my office when Atlantis news alerts started pinging like a pinball machine. Evidently, someone had found the lost island for real this time, or at least serious media outlets around the world were treating the latest discovery as news.

I was torn. The logical, Aristotle half of my brain told me that it couldn’t be possible, that any search for Atlantis was bound to be the wildest of goose chases. The daydreamy, Plato half of my brain said that nothing was beyond imagining. Perhaps this was something I should look into further, I thought. I searched out a passage I’d underlined in Plato’s Meno, in which the characters discuss the limits of knowledge. One philosopher says to another, “We shall be better and braver and less helpless if we think that we ought to inquire than we should have been if we indulged in the idle fancy that there was no knowing and no use in seeking to know what we do not know.”

Bumper sticker translation: If you don’t ask questions, you’ll never find any answers.

CHAPTER TWO

Lowenstein Academic Building, Fordham University

When I first read that Plato was the source of the Atlantis myth, I imagined the Atlantis I knew from Saturday morning cartoons: a city of hyperintelligent beings who dwelled beneath the waves in air-locked bubble houses powered by magic crystals. It turned out that Plato’s original version is a bit more complicated and a lot more interesting.

The Atlantis tale unfolds in two parts, stretched across a pair of Plato’s later works, the Timaeus and the Critias. Few non-Atlantologists without PhDs are familiar with these dialogues, and for a good reason: They are extremely weird. They are also, however, closely related to Plato’s most famous dialogue, the Republic, which would finish first in a poll to determine the most influential philosophical work of all time. The Republic is logical and forceful and covers a lot of ground—not many books can be called foundational texts of both Christianity and Fascism—and is packed with brilliant, radical ideas.

The Timaeus, a dialogue that Plato wrote as a sort of sequel to the Republic—and which introduced Atlantis to the world—is messy and confusing. It contains mathematics, cosmology, natural sciences, an explanation of why time exists, possibly ironic musings on what types of animals humans transform into after reincarnation, and, as the philosopher Bertrand Russell drily noted, “more that is simply silly than is to be found in [Plato’s] other writings.” The Critias, which provides most of the details used to search for Atlantis, reads like a Greek myth rewritten by a middle schooler whose grade depends on using lots of numbers and adjectives. It ends unresolved, halfway through a sentence.

Two painful attempts to plow through the Timaeus and Critias convinced me that I needed a guide. Enter Brian Johnson, who was teaching Introduction to Plato at Fordham University. I was swayed by his near-perfect ratings on RateMyProfessors.com, which included encouraging comments such as “Philosophy can be reallllly boring, but he makes it interesting.” Johnson invited me up to his tiny, windowless office on the eighth floor of a high-rise on Manhattan’s west side. He was slim, bespectacled, and cheerful. We purchased gigantic coffees in the university cafeteria and retired to the silence of the philosophy department.

One reason why the Timaeus is so confusing, Johnson explained, is that it was the product of a rather daunting assignment Plato had given himself—to formulate a theory that explained pretty much everything in existence, known and unknown. “There’s no such thing as a cosmic book that you can open up and it explains the laws of nature,” Johnson said. “Plato’s concerned about the grounds for knowledge. He’s looking for regularity in a chaotic world. In the Timaeus there’s this attempt to associate all things with numbers,” Johnson said. “He’s trying to give a theological account that provides something like the geometric logic of nature.” According to tradition, over the entrance of the university Plato founded in Athens, the Academy, were posted the words LET NO ONE IGNORANT OF GEOMETRY ENTER HERE.

For Plato, the earth is a globe that rotates because that is the most perfect shape and the most perfect motion. Everything in the natural world can be broken down into four elements: fire, air, water, and earth. These elements are in turn composed of four geometric solids: four-sided, six-sided, eight-sided, and twenty-sided. A fifth, twelve-sided polygon represented the universe. Johnson pulled an animated diagram of the Platonic solids up on his computer screen. They looked like the multifaceted dice from Dungeons & Dragons. These five solids, according to the Timaeus, can be subdivided further into two types of triangles, both of which have measurements that correspond to the Pythagorean theorem: A2 + B2 = C2.

The Timaeus, with its emphasis on a world created by a single god, was hugely influential in the development of Christian and Islamic ideas. The speaker Timaeus explains how the cosmos was fashioned from chaos by a single demiurge, or Divine Craftsman. This creator is good, and therefore the world is good. This will sound familiar to anyone raised in a modern religious household, but it was a fairly radical departure from the traditional Greek pantheon of gods who drank, fought, engaged in various sexual hijinks, and capriciously meddled in the affairs of mortals. Unlike the Old Testament God, Plato’s Divine Craftsman does not create the cosmos ex nihilo. He uses a set of ideal blueprints but must work with the imperfect materials the universe has presented to him, which is why the world often falls short of mathematical perfection.

•   •   •

Plato’s odd choice to sandwich his theories about the creation of the cosmos between the two halves of the Atlantis tale has been discussed and debated almost since the moment he died. So has the question of whether he meant the story to be true or not. I mentioned to Johnson that Aristotle had famously dismissed the story, and he nodded in agreement. Aristotle spent twenty years studying at Plato’s Academy, which was the world’s first university. During and after his time there he seems to have rejected many of Plato’s ideas. According to one melodramatic bit of ancient gossip, following Plato’s death, his star pupil was angry at being passed over to replace his mentor as the head of the institute. One later writer, Johnson told me, said Plato had referred to Aristotle as “the foal that kicks its mother when it’s had too much milk.”1

I was curious to know if stories like that of Atlantis were common in Plato’s writings. “There are things about it that are typical,” Johnson said. “It’s a story within a story. It’s a way of Plato distancing himself from making it literal. It allows Plato a little free range.” The philosopher was certainly fond of inserting myths into his dialogues. The Republic ends with the Myth of Er, about a soldier who comes back to life on his funeral pyre after dying on the battlefield. “He claims to have seen the transmigration of souls,” Johnson said. “You get to pick your next life.” According to this myth, those who choose to live justly go to heaven, while those who seek money or power are condemned to misery.

“One thing I noticed is that Plato stresses over and over that the Atlantis story is true,” I said.

“You’ve probably heard about the Noble Lie.”

I had. This was Plato’s mandate in the Republic that in order to maintain the class structure necessary for an ideal society, the rulers would need to tell the lower caste that the system had been put in place by God. In this way the wisest would continue to lead and the others would be satisfied with their station in life.

“Maybe when he insists on the truth of Atlantis, that itself is sort of a Noble Lie,” Johnson said. He reached for his thick Collected Works of Plato and scanned the pages with his index finger. “One other thing that seems typical is that the story resolves itself through natural disaster. Here it is, in the Laws.” The Laws was one of Plato’s final works, an attempt to draw up a blueprint for the society he’d outlined in the Republic. It’s infamous for being even harder to comprehend than the Timaeus, and mind-bendingly dull. “Even people who study ancient philosophy tend to dip in and out of the Laws rather than reading the whole thing,” Johnson admitted.

Johnson read aloud. “The human race has been repeatedly annihilated by floods and plagues and many other causes, so that only a fraction of it has survived.”

That sure sounded a lot like Atlantis. In the Timaeus, an Egyptian priest tells his Greek visitor, “There have been, and will be again, many destructions of mankind arising out of many causes; the greatest have been brought about by the agencies of fire and water, and other lesser ones by innumerable other causes.” Might it have been a story Plato made up to show an idealized state, like the one he proposed in the Republic, that was corrupted and thus had to be punished by the gods?

“Here’s a hypothesis that could be wildly wrong,” Johnson said, closing the book. “It seems like the Atlantis myth does cash in on some ideas from the Republic. Have you bumped into this idea of the Golden Age?”

I had. The Greeks were great believers in the Good Old Days. For Plato, who was a bit of a snob, this would have been an imaginary time when Athens was ruled by wise aristocrats rather than a mob ignorant of geometry.

“I gather that Atlantis was supposed to be like his philosopher-kings model and that it was destroyed by natural disaster,” he said. In the Republic, Plato proposes that the best possible leaders would be philosopher-kings, monarchs who ruled wisely because they had been trained in the philosophic arts, especially mathematics. “Plato says that the ideal state cannot last. He seemed to think its own downfall is built into the very structure of nature.”

Johnson had a fascinating poster on his wall that at first glance looked like the concentric circles of Atlantis. I was disappointed to learn it was actually a re-creation of a map from the movie Time Bandits. I seemed to recall the movie beginning with a boy’s fascination with ancient Greece and leading through a long, complicated journey based on possibly unreliable source materials. I couldn’t remember if it had a happy ending.

“I’m guessing Atlantis isn’t discussed much in professional philosophy circles,” I said.

“It isn’t. Insofar as it is referenced, it’s going to be to ask, what philosophy can we extract from this myth?”

“So do you think it’s possible that Atlantis ever existed?” I asked. I didn’t mention anything about actually going to look for it.

We sat in silence while Johnson formulated an answer. He had the sympathetic look on his face that teachers use when they don’t want to discourage classroom discussion, even though the students obviously haven’t understood the assigned reading. The five Platonic solids rotated merrily on his computer screen.

“I guess I’m open to the idea,” he said, finally. “So long as it’s reasonable.”

CHAPTER THREE

Saïs, Egypt (ca. 600 BC)

This is a detective story, one that starts in ancient Greece and follows a twisting path through (to list just a few locations) Pharaonic Egypt, Nazi Germany, and contemporary Saint Paul, Minnesota. And as with any good detective story, it helps to assemble all the available evidence in one place.

The story begins in the Timaeus, which takes its title from the character of that name, whose elaborate musings on the nature of the universe have kept philologists busy for two millennia. As was common in Plato’s dialogues, some of the speakers are historical figures whom Plato knew personally. Socrates, who in real life was Plato’s beloved philosophical mentor, sets the scene by reminding everyone that the previous day he had given a speech on the ideal city, a reference to the Republic. He asks his three companions—Timaeus, Critias, and Hermocrates—to each tell a story to illustrate his ideas. Hermocrates suggests that Critias should start by sharing “one that goes back a long way.”

Critias, a relative of Plato, prefaces his tale by saying it is “a very strange one, but even so, every word of it is true.” To stress its veracity, Critias explains that he heard it from his very old grandfather, who heard it from his father. The original source was unimpeachable: Solon, one of the great statesmen in Athenian history and Plato’s great-great-great-great-grandfather. The story Critias tells his friends recounts a great moment in the history of Athens, “the most magnificent thing our city has ever done.”

Following so far? Two historical figures, Socrates and Critias, have a presumably invented conversation about a supposedly true story passed down by one of Plato’s ancestors. Let’s proceed.

Long ago, Critias tells his friends, Solon paid a visit to the Egyptian city of Saïs. He was greeted as an honored guest by priests who were scholars of ancient history. One day Solon began to speak with his hosts about figures from Greek antiquity, but one of the Egyptians interrupted him and said, “O Solon, Solon, you Greeks are never anything but children, and there is not an old man among you.” The priest explained that Greek society had been repeatedly wiped out by floods or fire, while Egypt had been spared these disasters. The collective history and culture of the Greeks had been all but erased many times, leaving behind only an illiterate band of survivors on each occasion. Therefore, the priest told Solon, the Greeks had no memory “that the finest and best of all the races of humankind once lived in your region.” The Egyptians, having avoided such catastrophes, had maintained in their temples records of the great or noble acts of all peoples, including those of the Athenians.

Before the most devastating of all floods, the priest explained, the laws and military deeds of Athens had been the greatest ever known. This was in the far distant past, nine thousand years ago. The most glorious Athenian deed of all, the priest continued, was its halting of a vast sea power called Atlantis. Atlantis had insolently attacked all of Europe and Asia, and its empire was larger than Libya and Asia combined. Atlantis was situated on an island in the infinite Atlantic Sea, located in front of the straits that the Greeks called the Pillars of Heracles.2 Without provocation, Atlantis had conquered all lands up to Egypt and Tyrrhenia. It sought to subdue and enslave Egypt, Greece, and all other countries within the Mediterranean. But the noble Athenians, deserted by their allies, fought on alone and defeated the invaders, thus freeing all those “within the boundaries of Heracles.”

Plato, via the priest, has spun a classic story of heroism—the virtuous underdogs defeating the powerful, evil empire. Star Wars in sandals. But then Plato adds the twist that has made the Atlantis story immortal. After the Athenian victory, the priest continues, “there occurred violent earthquakes and floods; and in a single day and night of misfortune all your warlike men in a body sank into the earth, and the island of Atlantis in like manner disappeared in the depths of the sea. For which reason the sea in those parts is impassable and impenetrable, because there is a shoal of mud in the way; and this was caused by the subsidence of the island.”

Then, just as the story is heating up, Critias pauses to tell Socrates that actually, Timaeus should speak first, because his tale deals with the creation of the entire universe. Timaeus, a Pythagorean philosopher from Italy, takes over the dialogue by asking a very Platonic question—“What is that which always is and has no becoming; and what is that which is always becoming and never is?”—and then commences to explain at length Plato’s kaleidoscopic scientific speculations about the order of the cosmos and how at the atomic level everything is composed of tiny triangles.3

•   •   •

We’re only part of the way into the Atlantis story—we haven’t even gotten to its supernatural creation—but already Plato’s character is giving an account that a TV judge would call unreliable, considering that it would need to have been transmitted absolutely error-free through six generations from Solon to Plato. Unfortunately, Plato also contradicts himself on its source. In the Timaeus, Critias claims to be speaking solely from memory and complains of having lain awake all night trying to remember the story’s details as he’s heard them from his grandfather. In the Critias, however, the speaker Critias says that he possesses Solon’s original notes from his conversation with the Egyptian priest at Saïs.

Even if we take the leap of faith and assume that Solon did write Dictaphone-perfect notes of his conversations in Saïs, there is the question of whether the priest himself was a reliable source. He tells Solon—whom most experts agree really did visit Egypt—that the great events of antiquity had been inscribed in Egyptian temples. The temples were certainly real; Saïs has long since vanished, but researchers are still digging out archaeological clues in the area where it once stood. It seems certain, though, that Solon neither spoke the Egyptian language nor read hieroglyphs. Thus, the absolute best-case scenario is Plato having two-hundred-year-old, thirdhand information, relayed by a priest who might have wanted to impress his distinguished visitor. Not exactly evidence you’d want to bring before a grand jury.

Then there’s the question of what defined accurate information in Plato’s day. Recorded history in the fourth century BC was a fairly recent invention. Herodotus, celebrated as the “father of history” by Cicero, began compiling his historical narratives based on firsthand accounts more than a century after Solon died. Prior to that time, events had been recorded in stories passed down orally, such as the Iliad and the Odyssey. Plato himself was ambivalent about the relatively new technology of preserving information through writing. In his dialogue the Phaedrus, he has Socrates discredit writing as inferior to memory because it cannot be probed by questioning and so offers “the appearance of wisdom, not true wisdom.”

•   •   •

The quality of Plato’s evidence for Atlantis may be debatable, but he did not stint on the quantity. In the sequel to the Timaeus, the Critias, the eponymous speaker once again takes up the story he says originated with Solon. This time Plato puts so much detail into his character’s mouth about the lost island kingdom that a curious reader naturally starts to wonder where it all came from.

Critias starts with a recap, adding some specifics: Roughly nine thousand years have passed since war broke out between those who lived outside the Pillars of Heracles and those who lived within; Atlantis sank and “became an impassable barrier of mud to voyagers sailing from hence to any part of the ocean.” He explains that some of the names of great men from Athenian history have been passed down from long ago but that most of the details of their deeds had been erased by the intervening catastrophes the Egyptian priest described. The only survivors of these disasters were illiterate mountain dwellers who were too preoccupied with trying to survive to be concerned with the events of the past, which is why the story of Atlantis was forgotten.

Here, Critias starts dropping hints that only a classics professor who dabbles in numerology—or an Atlantologist—would look at closely. Nine thousand years ago, Critias explains, all of Greece had been fertile, but floods washed much of its soil into the sea, leaving behind “the mere skeleton of the land.” Simultaneously, “there were earthquakes, and then occurred the extraordinary inundation, which was the third before the great destruction of Deucalion.” The flood of Deucalion is a Greek myth, probably based on a historical event, with many parallels to the tale of Noah’s ark, most notably that a good man is spared the watery wrath of an angry god by building a wooden vessel. Nine thousand years before Solon’s time mammoths and saber-toothed cats still walked the earth; for now, let’s just say the date is important but problematic.

Way back then, the Acropolis of Athens, the rocky hill atop which the Parthenon was later constructed, was much larger and more fertile than the skeletal ruins–covered outcrop seen on posters in Greek diners. The warrior class of Athens lived there communally, in simple buildings on the north side of the hill. A single spring provided sufficient water, but it was smothered by the debris of an earthquake. Athens’s population of military-aged men was kept steady at about twenty thousand. Then, in a single night’s storm, all the topsoil from the Acropolis washed into the sea.

That’s an awful lot of detail for Plato to have invented and we haven’t even gotten to the really strange stuff yet.

As for Atlantis, Critias says, we don’t know what it was really called, since all the names in the original story were long ago translated into Egyptian, which Solon then translated into Greek. This is a key point: Atlantis wasn’t actually called Atlantis by the citizens of Atlantis. Here, Plato really starts piling on the specifics. Atlantis was under dominion of the god Poseidon. Atlantis was beautiful. At its center was a large, fertile plain. Near the plain was a short mountain on which dwelt Cleito, the mortal mother of Poseidon’s children. Around this hill Poseidon cut a series of concentric circles—two of land and three of water, laid out perfectly equidistant from one another as if shaped “with compass and lathe.” (Remember that: three concentric circles of water.) Poseidon installed two springs, one hot and one cold. Cleito bore Poseidon five sets of twin sons, so the island was divided into ten districts with each son receiving dominion over one. The finest of these belonged to Atlas, who inherited his mother’s lands in the central plain. The second-best allotment was given to Atlas’s twin, Eumelos, who was called Gadeirus in the language of Atlantis. His plot faced the Pillars of Heracles, opposite the land that Critias said was now known as Gades, probably in his honor.

Atlantis was the wealthiest kingdom ever known, Critias continues, and what few things it could not provide for itself it obtained through trade. Atlantis was rich in orichalcum, a glistening metal whose preciousness was second only to gold. Fruits, flowers, and domesticated grain crops flourished, and the island’s lush plants supported abundant wildlife, including many elephants.

At this point Plato starts to sound less like a philosopher than a zealous urban planner. A canal was dug that pierced the three circles of water so that ships could pass to the center; it measured three plethra (three hundred feet) wide, one plethron (one hundred feet) deep, and fifty stades (at six hundred feet to the Greek stade, a little under six miles) long. Bridges were constructed over the rings, and smaller water passages large enough for a single warship to pass were dug next to each bridge. Atlantis’s interior island measured five stades across, or about three thousand feet in diameter. Around it was constructed a stone wall. Stone for building was quarried from beneath the central island and other zones—this stone was white, black, and red. (The tricolor stone: remember that.) The space where stone had been removed was used as harbors for ships, with stone roofs. The walls around the outer rings were decorated in brass and tin; the wall around the central citadel “flashed with the red light of orichalcum.”

Just think: Solon or one of his assistants was scribbling all this down. Wouldn’t his hand get tired?

In the innermost circle of the concentric rings, the kings of Atlantis built a spectacular palace, “a marvel to behold for size and for beauty.” There was also a shrine to Poseidon and his wife, Cleito, which was surrounded by a wall of gold. This temple was one stade long and half a stade wide (approximately six hundred by three hundred feet) and had “a strange, barbaric appearance.” The walls and ceilings were covered in precious metals and ivory; inside, gold statues had been erected, including a roof-scraping Poseidon guiding a chariot led by six winged horses. A beautifully crafted altar stood outside the temple. Nearby were two springs, one hot and one cold; their overflow was used to irrigate the grove of Poseidon, in which grew “all manner of trees of wonderful height and beauty.”

Atlantis was a busy maritime port; its large navy sailed in triremes, warships pulled by oars. A wall fifty stades (about six miles) from the outermost ring of water ran around the central circles. Inside the wall lived a densely populated mercantile society whose ports “kept up a multitudinous sound of human voices, and din and clatter of all sorts night and day.”

The capital of Atlantis abutted an oblong plain that measured three thousand by two thousand stades, or approximately 340 by 230 miles. The island sloped southward toward the sea, and the central plain was surrounded by mountains that “were celebrated for their number and size and beauty, far beyond any which still exist.” (The plain, the mountains—those will come up again.) These peaks protected the island from strong northerly winds. A great canal was excavated around the entire plain. Water trickled down from the mountains into a grid of massive irrigation channels that crisscrossed the plain, spaced one hundred stades (eleven miles) apart. Atlantis had two growing seasons per year.

The plain was divided into sixty thousand districts, each of which was led by a military commander who was expected to raise at least twenty men, including ten armed soldiers, four sailors, four horses, and four horsemen. The Atlantean navy had twelve hundred ships.

(One can almost imagine Timaeus counting on his fingers and giving Socrates the side eye.)

The ten kings of Atlantis ruled according to the laws of their father, which had been inscribed on a pillar of orichalcum in the Temple of Poseidon. The kings gathered every fifth and then every sixth year to determine if any of them had violated the sacred laws and to take part in the ritual capture of bulls that had been set free in the temple. They caught the beasts using only staffs and ropes (“but with no iron weapon”), then slaughtered them on the pillar as a sacrifice. The kings put on magnificent blue robes for a ceremony in which they passed judgments and swore to rule fairly. Above all, the kings vowed never to war among themselves. If one of their number should attempt to overtake the kingdom, all the rest promised to join forces against the insurrection. They understood their great material fortune and saw their wealth as a burden.

Over the generations, though, the Atlanteans became debased, filled with “avarice and unrighteous power.” Zeus could see that the Atlanteans must be punished for their waning virtue. So he hailed the gods to their pantheon, from which all the world could be seen. “And when he had called them together, he spake as follows—”

There, Plato breaks off the story abruptly, as if someone has kicked the plug out of the phonograph. Whether Plato terminated the story abruptly for dramatic effect or because Aristotle had just arrived with his lunch order is impossible to know.

CHAPTER FOUR

County Leitrim, Ireland

Getting philosophy professors to rank their top ten thinkers had been surprisingly easy. Getting academic specialists to discuss searching for Atlantis proved to be somewhat more difficult. Brian Johnson had been correct; those philosophy professors who wrote about it tended to dismiss it outright as a clever invention, a literary device created by Plato to illustrate his political ideas. Julia Annas, perhaps America’s preeminent expert on Plato, decreed that it has been “convincingly established” that the story was fictional. A symposium held at Indiana University devoted to the topic “Atlantis: Fact or Fiction?” had awarded the title to the latter in a knockout. Most of the e-mails I sent and re-sent to addresses ending in .edu went unanswered. One prominent archaeologist whom I contacted wrote back to inform me that no serious scholar would ever entertain the idea that any part of the Atlantis tale had been real, and that I was foolish even to inquire about such things. Her definitive sign-off was ominous: “I hope you listen, for the sake of your reputation as a writer.”

I couldn’t blame academics for being wary. Any online search for information about Atlantis quickly sucks one into a wormhole of conspiracy theories and magic portals to untapped dimensions. Anyone with credentials who dared to entertain the possibility of Atlantis having existed was probably inundated by weirdos.

As I typed Atlantis-related search terms into Google, one glaring exception came up again and again, a site called the Atlantipedia. It was comprehensive, with hundreds of entries, all of which were written in an evenhanded style, offering dry commentary where appropriate. (Of one theorist who suggested that the Atlanteans had access to space travel, lasers, and cloning, the site’s author noted, “A cynic might be forgiven for attributing his outlandish views to his unrepentant support for the use of marijuana.”) The tone was skeptical but not dismissive. The range of subjects was exhaustive. Several feasible location theories were presented and dissected. The Atlantipedia, it emerged, was the work of one person, an Irish retiree named Tony O’Connell.4

I e-mailed Tony and asked if he might be open to answering a few questions. He suggested a list of books to read and invited me to come over to Ireland and stay with him as long as I liked. “The simple fact is that these theories cannot all be right and quite possibly all are wrong,” he cautioned. “Take it slow or your head will spin.”

A month later, as Tony and I drove west from the Dublin airport, he explained over the sound of the windshield wipers how he’d gotten involved in Atlantology. Years before, he had owned a small trucking dispatch company in Dublin, an all-consuming job that required him to keep track of thousands of details. One early morning while he and his longtime boyfriend, Paul, were working late in the warehouse, a gang of robbers entered and held guns to their necks. Afterward, Tony had a revelation. “I was sitting atop a forklift and I realized, I can’t do this anymore.” He left the city for a tiny village in County Leitrim, which is probably best known for being Ireland’s least-populated region. When Tony’s mother began to suffer from dementia, she moved in with him. “As she descended into madness I decided that I needed a distraction,” he told me. He had the idea of compiling an Atlantis encyclopedia.

The more evidence Tony amassed about the various location theories, the more he became convinced that Plato’s story was probably true. And the more he learned about the subject, the more he felt able to narrow down the area in which Atlantis might have existed.

Tony lived about a mile outside of a village that consisted of two pubs, the ruins of two medieval abbeys, a grade school, and a visitors center that never seemed to be open when I passed by. He and Paul (who had moved in for a while with his own ailing mother) lived in a house that had until the 1950s been the station for a narrow-gauge railway line. Their home was cozy, with two bedrooms upstairs and a small office on the ground floor that held Tony’s impressive Atlantis library. The kitchen smelled of spices and cigarettes, since Paul was a passionate cook and smoker. Tony did most of his Atlantis-related work in the front room, tapping away on a laptop perched atop a coffee table as the BBC News played on the television, muted. He was round and bald and walked with a limp from gout. A mischievous gleam in his eye hinted that he might be pulling someone’s leg and made you hope that it wasn’t yours. He raised his eyebrows above his wire-framed eyeglasses whenever emphasizing his doubts about something. When he laughed, which happened often, his whole body shook. He reminded me of an off-duty department store Santa Claus.

Like most men of a certain age, Tony had a daily routine that varied only slightly. Tony and Paul kept almost opposite hours. Tony got up early. Paul, who was a couple of decades younger, was a night owl and usually woke in the afternoon, when Tony brought him breakfast in bed. After dinner, Tony usually dropped Paul at one of the two local pubs; Paul carried a reflective vest and penlight for his 2:00 A.M. walk home. His mortal enemy, a nasty Doberman, lived a few doors down. “If you decide you’d like to go for a walk, you’d best go in the other direction,” Paul warned me, lighting another cigarette to steady his nerves.

Tony usually conducted his online Atlantis business in the mornings while drinking a mug of tea and wearing his bathrobe, which gave the impression that he was puttering about on the web. Later, I’d log on to the Atlantipedia site and find that he’d written three new entries while I was in the kitchen eating my morning muesli. The Atlantipedia served as a sort of clearinghouse for amateur, and occasionally professional, Atlantologists. “Some person has identified Mesopotamia as an island surrounded by two rivers,” he called out one morning from the living room. “Not the Mesopotamia where Iraq is, which might make some sort of sense. It’s the one located in Argentina.”

•   •   •

Late each morning, Tony and I drove over to the small city of Carrick-on-Shannon to do a little shopping and run some errands, like placing horse racing wagers for Paul at the off-track betting office. One day we stopped by the local registry so that Tony could pick up the paperwork for a civil partnership. After twenty-odd years as a couple, Tony and Paul were making things official. Once our tasks were completed, we’d stop for a coffee and slice of cake.

When I had initially asked Tony why he thought the Atlantis story was true, he had pointed me to a fascinating scholarly essay by a former NASA scientist, the late A. N. Kontaratos, which cites twenty-two instances in which Plato attests to the veracity of the Atlantis story.

“Solon was a very important lawmaker, a very just man, and highly regarded,” he told me at the coffee shop, whose jazzy decor made it seem as though we were discussing lost cities on the set of Friends. “Plato using him would be like you writing a book and invoking Benjamin Franklin as your source. You wouldn’t do it if it wasn’t true. I think the most powerful argument is when he expresses reservations—like he does about the ditch around the plain.” Critias pauses his description of the enormous channel carved by generations of Atlanteans to explain that while he knows that its incredible proportions seem unrealistic, he’s only passing along what he was told. “No one’s ever going to express reservation about his own argument,” Tony said. “That’s counterproductive.”

On the other hand, Tony noted, “no one ever asks if Solon made it up. Or if the Egyptians made it up to impress their visitor. You’ve got to tread very carefully.”

But though Tony believed that the core story—that a large maritime power had waged a war against the eastern Mediterranean—was true, almost everything else should be viewed with skepticism, most particularly numbers and measurements, such as the claim that Atlantis had been larger than Libya and Asia combined. Libya in Solon’s day was the coastal strip of North Africa from the Atlantic Ocean up to Egypt. Asia was Asia Minor, or modern Turkey. The Greeks of Plato’s era had no methods to measure large areas of interior land. Greek sailors followed the coast and navigated by landmarks and other recognizable features, as in Herodotus’s advice, “When you get eleven fathoms and ooze on the lead, you are a day’s journey out from Alexandria.”


Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams

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23 of 24 people found the following review helpful. Masterpiece of a serious reality treasure hunt for Atlantis By Thorwald Franke Contrary to what most people think, it is not obvious that Atlantis was an invention by Plato. So, Mark Adams did the right thing and just started reading and travelling through world and history, hunting for clues, for possible Atlantis locations and for professional as well as amateur experts who could bring him closer to the truth. Since Mark Adams is open-minded and unprejudiced on the one hand side and on the other hand side armed with a very reasonable skepticism and -- above all -- with a good sense of humour, this book turns out to be an enjoyable and interesting trip. It reads almost like Dan Brown's Robert Langdon hunting for the secrets of history -- only this time, it is real: The clues are real, the possible locations are real, the informants are real, maybe even Atlantis turns out to be real?The number of experts and amateurs on Atlantis, Plato, Pythagoras, mathematics, oceanography, vulcanology, history, archaeology, mythology, geophysics, and many other disciplines is enormous. Every time you think, that it would be nice if Mark Adams followed a track and visited a certain expert on a certain topic, he really follows this track in the very next chapter! This is a real search, no journalistic fake. We have to be very thankful to Mark Adams that he did this extensive journey acting on behalf of all of us who are interested in the opinions of all these experts.Having obviously read a lot, and then talking to all these skeptics and searchers, Mark Adams piles up a huge amount of knowledge about Atlantis and possible interpretations, so that even I could still learn something here. But what is more, we also get to know the personalities of all these experts and amateurs, their motivations, their characters and their flaws. Mark Adams is a very good observer and able to ask the right questions in the right moment, and his interviews sometimes turn out to be excellent art pieces of literature as well as of psychology, and show a good sense of humour. This is surely "the" book of our generation of Atlantis research and thus also a historically valuable work!Only in the very last chapter the limits of Mark Adams become clear. He piled up a lot of valuable information about Atlantis, yet he did not think deeply into the topic. In a liberating jump into a simplistic solution, he falls for the idea that since the cosmology in Timaeus is full of Pythagorean numbers, the numbers in the Atlantis account have to be Pythagorean, too. No one could ever show this convincingly, there are no such regularities, beginning with "one, two, three" at the beginning, where -- obviously -- "four" is missing to the full Tetractys. Besides the fact, that all Pythagorean numbers in the cosmology are not meant to be symbolic, but real, which would be the only valid assumption for Pythagorean numbers in case of Atlantis, too.So, Mark Adams simply declares all numbers in the Atlantis account to be invented by Plato, as well as the perfect concentric ring structure, and in an act of ludicrous desperation, Mark Adams thinks that all the characteristic features defining Atlantis could be found everywhere and thus are not of any importance. Mark Adams even has bought the idea that the Greek word "nesos" (island) simply could mean anything. On the basis of this iconoclastic approach, Mark Adams declares Atlantis to be a fictional story, with only a small kernel of truth which bears no importance. It does not matter any more, if this kernel is real or invented. This historical kernel clearly does not deserve the name "Atlantis". Mark Adams's hypothesis is basically an invention hypothesis.The reason for this failure is easy to see: Mark Adams's competence is overstrained, he has no clear idea how Plato constructed his so-called "Platonic Myths". Instead of a desperate iconoclasm he better had tried with historical criticism, which he himself reports to be mentioned (under another name) by Juan Villarias-Robles (p. 77 f.). He should have also better considered the words of K.T. Frost: "The whole description of the Athenian state in these dialogues seems much more fictitious than that of Atlantis itself." (p. 196) And he should have better not fallen into the traps of catastrophism, mythology, Neoplatonic symbolism and Pythagorean number games. With his simplistic solution, Mark Adams could also declare Egypt to be a mostly fictitious invention by Herodotus with only a small and unimportant historical kernel located in -- for example -- India.Yet, we have to be fair: For a journalist and writer who did not work on the topic for decades, it is an achievement to have a clearly voiced opinion on Atlantis; most journalists like to hide behind nebulous statements, or declare Atlantis simply to be a full invention. Even more important than its end is Mark Adams's book itself: Having read so much, having travelled through all these locations, and having interviewed all these persons is quite a feat and a valuable present to all interested in Plato's Atlantis. This book is surely one of the best recommendations to all who want to get a glimpse into Atlantis research -- with the everlasting caveat: You should read more than one book about Atlantis.(c) 2015 Thorwald C. Frankewww Atlantis minus Scout dot deWe have to correct some minor mistakes:pp. 13 f. Contrary to what most people think, there was no rivalry and no fundamental opposition between Plato and Aristotle. Only certain disagreements.p. 20 "inscribed in Egyptian temples": Not true. Plato talks only of texts which can be "taken at hand" (Timaeus 24a), i.e. papyri. There could have been inscriptions, too, but Plato does not talk of them.pp. 86 ff. "the Nazis": Not true. Only certain National Socialists were interested in Atlantis, among them Heinrich Himmler, but Atlantis was never part of the general NS ideology. Adolf Hitler even mocked Atlantis searchers, and the tape records heavy laughter in the NS party audience.p. 172 Plato favoured the military state Sparta: Not true even in a double sense. Before Plato changed his mind on politics in the Laws, he favoured a "closed" society in the Republic. After Plato changed his mind in the Laws, he favoured a more "open" society, and liked the Spartan principle of a constitutional "balance of power".p. 182 "Thorwald Franke believes Sicily was the original inspiration for Atlantis". Not exactly true, if strictly speaking. Thorwald Franke is convinced that Sicily really was Atlantis, and he is still elaborating this idea.p. 195 Papamarinopoulos: "In the Republic Plato presents an imaginary Athens". Not true, the imaginary state in the Republic is not related to Athens.p. 215 Elizabeth Wayland Barber: Information can be passed down "orally and faithfully for up to thousands of years". Surely not true, except for very very crude kernels of truth, yet never for detailed stories.p. 277 Plato knew the circular harbour of Carthage: Not true, this harbour most certainly was built only after Plato's death.Index: At least two mentions of Aristotle are missing: pp. 174 f., p. 178.

18 of 22 people found the following review helpful. Searching for Atlantis from Plato's Description to Modern Technology By Nancy Famolari People have been fascinated by Plato's descriptions of Atlantis in the Timeas and the Critias since they were written. The descriptions are tantalizing because Plato in the Critias gives a very explicit placement for the sunken island, including measurements and geological features. Since there are apparently no sunken islands in the Atlantic outside the Pillars of Hercules matching Plato's description, many people have concluded that Plato invented the tale to make a philosophical point.The fact that no island can be found has not deterred some Atlantologists. Locations from Crete to Morocco have been suggested. Each site has it pluses and minuses. The author does an excellent job of tracking down the proponents of each site and getting an explanation of why it should be considered Plato's Atlantis.In the process of traveling from Malta to Spain, the US, and many points in between, he discovers fascinating archaeological investigations. It's clear that in ancient times the area around the Mediterranean was subjected to repeated cataclysms from the explosion of Thera to tsunamis ravaging the coast of Spain. Using ground penetrating radar, archaeologists have been able to locate some of the ancient cities and map them using advanced technology.I loved this book. I have always been fascinated by archaeology and by the Atlantis story. This book gives a comprehensive view of what some of the most well-known people in the Atlantology field think today. My only disappointment was the ending. I can sympathize with the author. It's hard to decide which theory to believe, however, I felt that he tossed out too much evidence to come to his preferred choice. However, that has nothing to do with the quality of his research.I highly recommend this book if you're fascinated by Atlantis and love archaeology.aI reviewed this book for Dutton.

10 of 13 people found the following review helpful. An Enchanting Journey Through Time And Space By Nemoman I purchased this book and did not receive a free review copy.In preparing an article on philosophers, Adams notes that that the most interesting thing that Plato ever wrote was his story of Atlantis. Adams then discovers that a number of scholars are still searching for Atlantis. Adams decides to meet these people, travel to their supposed sites of Atlantis, and reach his own conclusions. Although Adams reaches some terse conclusions about Atlantis in the end, the book is really about his journey of discovery.First, there is a dispute whether: Atlantis was real; Atlantis was merely a myth or an allegory used by Plato; Atlantis is an ad hoc collection of myths; or Atlantis is based on another city that actually existed under another name. Plato describes Atlantis in some detail; however, his numbers do not add up in modern times.Plato speaks of Atlantis as existing 9000 years ago, which pretty clearly is not possible. Various explanations are offered, some more plausible than others. Clearly, Plato was a numbers guy, and lots of people try to divine way too much from the numbers used by Plato. The location with respect to the pillars of Hercules is also problematic. Modernly, it is taken as the strait of Gibraltar; however, in Plato's time, the pillars could simply have reference to the then limits of navigation in the Mediterranean. And pillars did not have to mean rocks, but could reference steles. Moreover, there is ambiguity as to whether Atlantis was just beyond or before the pillars. Thus, Adams journeys take him from Santorini to southern Spain, Malta and Morocco. There is also a theory that Atlantis is under Antarctica, which has drifted considerably south apparently. Finally, one theorist believes posits the site as New Orleans, with ancient copper mining taking place at the headwaters of the Mississippi.Adams also explores catastrophe theorists. Atlantis was destroyed by sinking below flood waters. This, however, does not necessarily a sunken island, but could include coastal areas deluged by tidal waves. There is a sobering discussion of various known catastrophes that could have detroyed, inter alia, Atlantis.Through all this, Adams maintains his wit and questioning journalistic approach, familiar to those who have read TurnRight At Macchu Pichu. The narrative only slowed for me when he began discussing numerology and Pythagoras. This book is an engaging historical mystery, which is at once informative and entertaining, without being pedantic.

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Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams

Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams
Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City, by Mark Adams